My wife Abby and I got our hair cut today. I gave her a lift into town at lunch time. When she was done, our haircut professional, Layce, cut my hair. On the way out of the house, Abby and I grabbed the mail, which included a small padded envelope. When we saw it was from China, we excitedly ripped it open. It was a face mask I ordered way back in March when the COVID-19 crisis began. It says, “Photography is Truth.”
Is photography truth? Well, no, of course not. Truth stands above it all; above opinion, above research, above even journalism.
My photography is often the truth, but not always. For example, there is a small red spot above my left eye which a dermatologist told me is a vein very close to the surface of the skin. It’s harmless, but somehow it feels like a flaw. I use to clone tool to remove it all the time.
I recently met our de facto office mascot, a chocolate skunk named DaeDae. A day or two later I photographed Abby’s pony tail on a fluffy pillow. She immediately quipped, “I’m a caramel skunk.”
Despite the roughness of 2020 and the bad news that feeds bad news, we still remain, and try to find our way. I know, for instance, that our young friend Mac recently deactivated her Facebook profile, and I am with her all the way.
The mirrorless experiments continue, and my intuitions about it have merit. For example, the SMC Pentax-A 50mm f/1.4 lens is quite an amazing lens, especially since it got its start as a reporter’s camera at small town newspaper. A lot of those lenses were sold as newsroom pool cameras because they were so basic. The 50mm f/1.4 is at the top of any heap you’d be willing to pile; it is sharp, well-built, smooth-focusing, and delivers nothing short of spectacular bokeh. It is a sublime lens.