My Favorite Old Favorite

My readers know that one of my favorite things about photography is lenses. One of my favorite lenses, which I have talked about before, is the 85mm focal length. I love it for any number of different situations. For some of the now-ending basketball season, I shot basketball action with it. I love it for…

Continue reading →

Adapt or Get Left Behind

In my current class at Pontotoc Technology Center, my students all have new Canon mirrorless cameras. The mirrorless scene is an interesting and exciting evolution in photography, one made possible by the fusion of digital imaging sensors and the instant read-and-feed technology that lives in our smart phones. Because mirrorless cameras don’t have mirrors, the…

Continue reading →

The Color of Black-and-White

Photographer and lights

In photography news this week was the announcement that Leica introduced their most recent camera, the Q3 “Monochrom,” a black-and-white only digital camera. Leica is the most prestigious camera brand in the world, and although I never used one, I know several people who have, including at least one photographer who had a Monochrom (Leica’s…

Continue reading →

Weather Art

For most of the history of photojournalism, photographers and their editors have used slang, jargon that doesn’t mean much or sounds made-up to outsiders. We use words like dummy, presser, scoop, wire, embargo, cuts, nutgraf, advertorial, tab, -30-, breakout, stringer, and a couple of favorites at my newspaper for a long time, “three-murder Saturday,” and…

Continue reading →

A Look Back: Cameras as Art

When I was a young teenager, I was influenced by a lot of magazines. I bought and eventually subscribed to Flying, Stereo Review, Popular Photography, Modern Photography, and Omni, and often picked up Scientific American and National Geographic from news stands. My parents knew that subscriptions to these magazines would make great birthday and Christmas gifts…

Continue reading →