Bokeh Note

My 200mm f/2.0 AI-S Nikkor lens is a wonderful feat of optical design and engineering from the late 1970s, but it isn't the bokeh lens to beat.
My 200mm f/2.0 AI-S Nikkor lens is a wonderful feat of optical design and engineering from the late 1970s, but it isn’t the bokeh lens to beat.

Here’s something that’s always bugged me: more than a few photographers have said that the Nikkor 200mm f/2.0 AI-S has “good bokeh.”

One reviewer said is has, “wonderfully smooth bokeh in every sense of the word.” Another claims that, “creates one of the smoothest bokeh.” Still another says it, “has extraordinary bokeh.”

The problem stems from the confusion between selective focus and bokeh. Photographers shoot with this lens wide open and are awed by the huge – and useful – selective focus capable with this lens.

That’s not bokeh. In fact, this lens has some of the rattiest bokeh in my bag.

I shot these flowers in my garden with my Nikkor 200mm f/2.0 AF-S, and as you can see, bokeh - the quality of the out-of-focus area of the image - is ratty and distracting.
I shot these flowers in my garden with my Nikkor 200mm f/2.0 AF-S, and as you can see, bokeh – the quality of the out-of-focus area of the image – is ratty and distracting.

It still frustrates me that well into the 21st century, we misuse and misunderstand basic language, often simply to sound smart or authoritative.