A Look Back: The Fujica ST705

This week I added another handsome 1970s-era Fujica camera, the ST705, to my collection, thanks to a donation from a long-time friend.
This week I added another handsome 1970s-era Fujica camera, the ST705, to my collection, thanks to a donation from a long-time friend.

I ran into an old friend, Gerald, at the the park on Independence Day. Gerald’s wife Doreen took my photography class a few years back, and long before that, my wife worked for Gerald.

Gerald told me that he had an old camera and a few lenses for it, and asked if I would I like to have it to possible show to my class. Sure, I said, I never turn down a camera.

The Fujica ST605 and the Fujica ST705 sit on my glass dining table. The cameras are exactly the same size and weight, and are well-made.
The Fujica ST605 and the Fujica ST705 sit on my glass dining table. The cameras are exactly the same size and weight, and are well-made.

A few days later, a smallish camera bag appeared in my office, and I eagerly dug into it. I found, to my delight, that the camera was a Fujica ST705, one of the bigger brothers of the Fujica ST605, the first SLR I ever owned (link).

The 705 is the same size as the 605, and, in this case, came with the same lens, the lightweight, plastic 55mm f/2.2. The 705 has a full shutter speed value faster than the 605, at 1/1500th, as well as open-aperture metering.

Controls on most Fujica single-lens-reflex (SLR) camera are fairly simple, including this shutter speed dial on the ST705 that features 1/1500th of a second.
Controls on most Fujica single-lens-reflex (SLR) camera are fairly simple, including this shutter speed dial on the ST705 that features 1/1500th of a second.

Also in the bag was a 35mm f/2.8 Kamero lens, which interested me the most, since I have an adaptor to put M42 screw-mount lenses on my Fujifilm X-T10 mirrorless digital camera.

The Kamero 35mm f/2.8 lens is well-made and decently sharp.
The Kamero 35mm f/2.8 lens is well-made and decently sharp.

I made a few frames with the 35mm, and was not disappointed, but also not surprised, since most normal and wide angle prime lenses are pretty sharp, even wide open.

Tomatoes sit in a bowl on my kitchen windowsill this morning. Shot with the 35mm f/2.8 Kamero lens on my Fujifilm X-T10, I was happy with the result.
Tomatoes sit in a bowl on my kitchen windowsill this morning. Shot with the 35mm f/2.8 Kamero lens on my Fujifilm X-T10, I was happy with the result.

I also found a Soligor 80-200mm f/4.5, a very common lens that is well-made and good-looking, but optically mediocre at best.

I had fun photographing this stuff, since I took the opportunity to shoot on one of my glass dining tables, allowing me to bring some light in from below.

The Fujica ST605 and the Fujica ST705 sit on my glass dining table. Note the red-filtered light from below, and the green-filtered light from behind and to the right. Both cameras are propped up on a roll of 35mm Fuji film.
The Fujica ST605 and the Fujica ST705 sit on my glass dining table. Note the red-filtered light from below, and the green-filtered light from behind and to the right. Both cameras are propped up on a roll of 35mm Fuji film.

 

1 Comment

  1. Hi,Richard
    Thank you for your comments/review of the Fujica ST705. I also have the ST605N with Fujinon lens.I started photography at age 10 when my parents bought me a Kodak Instamatic in about 1963 or thereabouts. I eventually progressed in my teenage years to a Zenith SLR,which,being a student in England,was all I could afford at the time. I am now a young 71 ! and am able to use ebay to buy cameras I could only dream about when younger!
    I have built up a collection of mainly 35mm viewfinder compacts,a few rangefinders and several SLRs, which I hope to use when we get some decent weather over here!
    I have enjoyed reading your posts. All the best,Roger Cooper,Leeds,West Yorkshire,England.

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