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September 24, 2018 / Richard R. Barron
1245th Transportation Company deployment Monday, July 2, 2018.
1245th Transportation Company deployment Monday, July 2, 2018.
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More to Learn

  • The Playful Side of Photography
  • Saving, and Deleting, Your Digital Future
  • Why People Hate Menus
  • What Did You Get?
  • The Fabulous Fifty
  • Circling Back to My Favorites
  • The Claw
  • A Look at the Nikon Z30
  • Fun Little Things
  • Judgement Upon Us
  • The Impossible Photo
  • What’s My Advice to My Younger Photographer Self?
  • f/8 and Be There? The Value of Access
  • Can Old Lenses Learn New Tricks?
  • How Can Two Very Different Lenses Be the Same?
  • Is the Internet Dying? Is It Killing Us?
  • Monochrome Challenge: In the Dark
  • The Higher We Climb, the Lower We Stoop
  • The Eclipse by the Numbers
  • My Travel Photography Kit
  • A Short Photo Excursion to Eureka Springs, Arkansas
  • What’s in a Picture?
  • The Purpose of Travel Photography
  • Is This Really Film?
  • What the Journal Brings Forth
  • Shaking the Tree
  • The Next Big, Dark Thing: AI
  • A Day on the Trail
  • Monochrome Cameras: Epic Quality, or Expensive Indulgence?
  • Comparing Myself to Other Photojournalists
  • More Thoughts about the Fujifilm GW670III
  • I Love a Parade!
  • Who Wants Pancakes?
  • The Monochrome Challenge: Late November
  • A Solution without a Problem
  • The Lenses I Miss the Most
  • Post-processing
  • Thoughts from the Trail
  • Filters, Filters, Filters!
  • Why Do They Do That?
  • Bokeh Wars
  • A Shot in the Dark
  • Some Truly Amazing News in Photography
  • Mirror Mirror
  • New Lenses, New Looks
  • My Favorite Wide Angle Lens
  • A Look Back: The Nikon N6006 and N8008
  • A Look Back: The Nikon EM
  • I Did Myself a Favor
  • A Fungus Among Us
  • A Look Back: The Fujica ST705
  • Finally, Lightroom Has Grown Up!
  • Do Your Pictures Matter?
  • Why I Don’t Like Most Photographers
  • Bokeh Note
  • An Enlightening Month
  • Our Legacy
  • The Sky was Alive!
  • Photography is Full of Surprises
  • Another Camera?
  • “A Magic Picture”
  • 58mm: All That Glitters is Not Gold
  • Keyword: “Authenticity”
  • We Love Lenses
  • Few and Far
  • Late Summer Monochrome
  • Prints Make Pictures More Real
  • Terrifying and Wonderful
  • Children of a Lesser Nikon
  • Four Decades with Nikon
  • How to Get a $5000 Camera for $500
  • Another Walk in the Park
  • Monochrome Challenge: A Walk in the Park
  • When HDR Goes Oops!
  • The Ethics and Reality of News Photography
  • Lightroom Presets
  • The Truth about Sensor Size
  • Did 35mm Film Revolutionize News Photography?
  • What Will Become of Our Photographs?
  • “Mister Contrast”
  • Pictures and Egos
  • Film Simulation Bracketing
  • To Filter or Not to Filter
  • I Like Good-Looking Lenses
  • Is This Art?
  • Full-Frame Saves My Wide Angles
  • Fill Up the Frame
  • The Absolute Magic of Photojournalism
  • Are Photo Books Dead?
  • How to Process Film
  • Review: Nikkor 50mm f/1.8 and Nikkor 35-70mm f/3.3-4.5
  • A Look Back: The Nikon FG-20
  • Spherochromatism
  • A Passel? A Cluster? A Stockpile?
  • The Fujifilm X100V
  • Photographs and Memories
  • A Vanishing Skill: Manually Focusing a Lens
  • Another Lens for the Collection
  • A Little More Light Can Make a Big Difference
  • Fooling Around with Christmas Lights
  • Conflict: The Essence of Sports Photography
  • Monochrome Challenge: Snow
  • Cameras Outpacing Photographers
  • iPhone vs Camera
  • Steal My Balls and Play with Them
  • The Nikon D500
  • Film: Some Snapshots
  • Film: My Time at The Daily Times
  • Film: My Time at the University of Oklahoma
  • Film: My Time at The Shawnee News-Star
  • Film: Ada Cougar Football State Championship 1988
  • Monochrome Challenge: After the First Freeze
  • How to Shoot a Silhouette
  • More Thoughts About the 85mm f/2.0 Nikkor
  • Another 85mm???
  • Autumn Walk for Inspiration
  • Photography in the Margins
  • More from the Mamiya Sekor
  • The Way They Made Them
  • Pinch, Poke and The Mighty Hound
  • Photographic Doings
  • Large Format is the Wild West of Photography
  • A Fisheye Surprise
  • Most Popular Camera Ever?
  • Experiments Keep Us Moving Forward
  • Reflecting on Mirrorless
  • Rainy Sunday
  • Olympus Has Fallen
  • That Little Dance Called Creativity
  • Irises at f/2.0
  • The Yard Session
  • The Walk
  • My Screen Saver Is Making Me Yearn
  • Editing and Tweaking
  • Workflow Changes
  • Kathy’s Influence
  • First Day of Spring 2020
  • In Praise of the “Kit Lens”
  • Same Scene, Different Day
  • Keep Your Eyes Open
  • “Dreamlike Quality”
  • First Stack
  • Sweet Suite
  • Another 85mm
  • My Antelope Canyon Experience
  • Sweet Little Lenses
  • Late Fall Monochrome
  • Security
  • Always Be Ready to Make the Picture
  • Evening Walk
  • Are Macro Lenses Good Portrait Lenses?
  • So Many Levels, So Many Layers
  • Late Summer Monochrome
  • Taking Lenses to Their Limits: The 200mm f/2.0
  • Why Not Video?
  • The Sometime Lost Narrative of Large Apertures
  • Monochrome June
  • Making a Living as a Photographer
  • The Word “Bokeh” Has Been Completely Usurped
  • Imaging Today and in the Film Era
  • You Know What to Do
  • The Tangled Web
  • Zippity Zap
  • A Nod to My Old School
  • The Lens That Never Fails
  • Monochrome in Mid March
  • The Sweet Morning Fog
  • A Look Back: the FujiFilm FinePix S4500
  • A Look Back: the Nikon D700
  • Little Andeigh and Big Gage
  • Need a Snack?
  • Performance
  • Beauty
  • Evening in the Small Town
  • Skyward
  • More Monochrome
  • Super Blood Wolf Moon
  • Lyme Gym Syndrome
  • The Monochrome Challenge
  • The Basics
  • And the Moon Shall Become as Blood
  • A Look Back: The Nikon D200
  • Geotagging, Selfies, Crowds, and the Menace to Nature
  • Some Confusion about the Season
  • 30 Years at The Ada News: Evolution and Revolution
  • Out of Hand
  • Commute
  • October Rain
  • A Look Back: The Nikon D70S
  • Secrets
  • Native Patriots
  • A Look Back: The Nikon D100
  • A Look Back: The Fujifilm Finepix S2 Pro
  • What’s Missing from Your 4K Camera
  • My Ten Dollar Camera Collection
  • Funniest Repair Ever
  • Breaking Things Loose and Keeping Things Fresh
  • A Camera Like a Sports Car
  • Nail in the Film Coffin
  • A Look Back: The Sony Cybershot DCS-F828
  • Judge, Jury and Executioner
  • The Love of Teaching
  • An Odd Move for Kodak
  • A Look Back: a “Tank” of a Camera, the Nikkormat EL
  • A Look Back: the Rare Pentax Auto 110
  • A Look Back: The Olympus XA
  • The Rule of Thirds
  • Mirrorless: The Next Big Thing?
  • Teaching Old Glass New Tricks
  • A Look Back: The Fujica ST605N Camera
  • A Look Back: The Fujifilm S200EXR Digital Camera
  • A Look Back: Kodak DCS
  • A Sunstar Extra
  • Funny Lenses and Expensive Lenses
  • A Lens from a Bygone Era
  • The Sweet Little 35mm
  • Your Next Lens
  • As Resolution Increases, Quality Falters
  • The Great American Eclipse: Until Next Time…
  • More Thoughts About the Eclipse
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  • JPEG Dazzle vs RAW to the Rescue
  • Phonetography Phun
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  • The 2017 Solar Eclipse
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  • Amping and Upping the Game
  • Striking Photos of Lightning
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  • A Light Serving of Light
  • What Is an “Art” Lens?
  • Old Tricks Still Work
  • Always on Duty
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  • Pretentious Jonesing for Film
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  • A Long and Difficult Recovery
  • Flare and Ghosting
  • We’ve Only Just Begun
  • First Look: AF-S Nikkor 50mm f/1.4G
  • Everyone Is a Photographer
  • The Gift of Aperture
  • Why Format?
  • Who Do I Want to Be?
  • Props to These Guys
  • What’s Changed, If Anything?
  • More Praise for the “Travel Lens”
  • In Praise of the 300mm
  • A Great Wedding Combination
  • Why Canyonlands?
  • Do Try This at Home!
  • Sensory Perception
  • Decisions, Decisions
  • Sitting on Your Pictures
  • Point and Watch
  • Pictures at an Exhibition
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  • Summer Breeze
  • Cities of the Interior
  • What to Carry When Your Phone Isn’t Enough…
  • A Tale of Two Twenty-Eights
  • Coloring with Lights
  • Yes, It’s Bokeh
  • Friend or Foe: The Unsharp Mask
  • Decapitation
  • The Light Can Make All the Difference
  • Tested and Failed: the Sigma DC 17-50mm f/2.8 EX HSM
  • Getting Organized
  • Software: The New Darkroom
  • Mistakes and Protocols
  • In Conclusion
  • Up Close and Personal
  • Yes, but What Then?
  • Down the Infraroad
  • Eighty Five Test Drive
  • What About Angles?
  • Portrait of a Portrait Lens
  • Bokeh vs Bokeh
  • That Night in 1985
  • The Work We Do
  • The Raw and the Cooked
  • Game Night in the Small Town
  • Can I Get a Copy of That?
  • Why Beautiful Moments Are Beautiful
  • New Tools of the New Trade
  • Picking a Camera for Kodak Moments
  • The Nikon D300S at 7500 Exposures
  • Hearts and Bones
  • Droning On
  • Back to School Faces
  • What We Thought it Would Be Like
  • Standing on Higher Ground
  • Intimate Moments
  • An Award for Just Showing Up
  • First Look: the Nikon D300s
  • Test Driving Instagram
  • The Plus-X Conundrum
  • Pomp and Circumstance
  • A Dark Cloud on the Horizon
  • Unbending the Lines
  • The Walls
  • Being There: Triumph and Heartbreak
  • Doing an Exploratory
  • Single-Frame High Dynamic Range
  • Traveling Light
  • The Right Idea
  • Dancing with the iPhone
  • Back to Basics
  • A Mild but Interesting Epiphany about My Shooting
  • The 85mm is Dead; Long Live the 85mm
  • The Backup Camera
  • Lessons and Ideas from Long Ago
  • What the Camera Sees vs What We Want It to See
  • The Need to Be Obvious
  • Not the Place for Greatness
  • The Stories We Tell
  • Exposure Compensation: What and How
  • Traveling Cameras and How I Use Them
  • The New Selfie on the Block
  • Something Beautiful
  • 50 vs 50
  • Going to the Dark Side, or Eyes on Tomorrow?
  • Shooting Football: a Two-Pronged Attack
  • A Gorgeous Night for Teaching
  • Water of Love, Love of Water
  • Scan While You Can
  • The Real Mission is Storytelling
  • How Photographers Can Miss the Point
  • The Geometry of Photography
  • DPI, PPI, IPI
  • A Complete 180
  • A Lens for the Fun of It
  • Coming Soon to an America Near You
  • Color Spaces and Color Pallets
  • Cleaning Your Gear
  • Smart Phone Photography: The Good, the Bad, and the Ugly
  • Face Off: Nikkor 18-55mm vs Nikkor 18-70mm
  • Stepping Up with Stepping Rings
  • Commanding the Light: Polarizers
  • The Long and the Short of It: Superzooms
  • To Focus or Not to Focus
  • The Persistence of Memory
  • “When their Bones are Picked Clean and the Clean Bones Gone…”
  • “Should I Upgrade?”
  • The Messy Days of Photography
  • Observations on Film, Filtration and Our Roots
  • In through the Out Door
  • Desperately Seeking Sunstars
  • Worst Lighting Ever
  • A Medium Format Itch
  • All Mixed Up?
  • Burn, Baby, Burn!
  • Night Sky with D7100: First Try
  • Boots and Bones
  • A NEW New Camera
  • What’s All This About Aperture?
  • My New Holiday Best Friend
  • Sunstars, Selective Focus, and Other Holidays Tips
  • Is My Bokeh Brokeh?
  • The Hunger
  • Lighter and Brighter for Indoor Sports
  • Playing Around with Our Past
  • Exposure Mode Control: Dial vs Button
  • Go Out on a Limb, or a Bridge
  • The Real Future of Photography
  • Let’s Get Even Closer
  • When Bad Lenses Go Good
  • Reasons to Love Teaching
  • The Ultimate Camera
  • The Sharpest Lens in My Bag
  • Reach Out and Take It: Teleconverters
  • Simple Advice in a Complex Environment
  • Why Is Decay So Interesting?
  • The PASM
  • The D-Tundred
  • The “Worst DSLR – Ever”?
  • Chasing the Light
  • Trial by Trail: the Fujifilm HS30EXR
  • Coming Around Again: The 20mm
  • Force Op, or The Herd Mentality
  • The Twilight of a Great Technology
  • Retired Supermodel
  • Head Over Heels about Hoods
  • The “Hand of God” Technique
  • The “Undisputed King” of the Wide Angle
  • The New Normal
  • Little Skills
  • My Most Extreme HDR Image Yet
  • Lighter Load: Gear for Hiking
  • Dream Kit for Shooting News and Sports
  • Trend: Sixties Faded Color Print Look
  • The Megapixel War Is Over (and has been for a while)
  • Simplest Lesson Yet
  • A Good Example of Bad Bokeh
  • The ISO Stratosphere
  • Manual Focus: Follow or Pre-Focus?
  • Don’t Be Discouraged
  • Favorite Images: Portraits
  • Studio-like Light for Next to Nothing
  • Better Photographers with Digital Cameras?
  • Tech Pan and the Great Grainlessness Quest
  • Community Journalism
  • Favorite Images: Travel
  • Elvis, Take My Class
  • Adobe Photoshop’s Photomerge Function
  • Like Day and Night
  • Bright and Dark, Colors and Greys
  • HD Garbage
  • Protecting Your Images in the Digital Age
  • Bright Lights, Big Photos
  • More Bokeh Talk
  • Just What We Needed: Another Wheel
  • The Way We Shoot Weddings
  • Why Fine Art Photography?
  • Mastering the Art of Mastery
  • All Good Things…
  • Formal vs Pose vs Cheese vs Candid
  • Update: The Barber Peak Experiment
  • “I’m Learning”
  • Opportunity Knocked
  • Command of Light
  • Into the Fire
  • A Well-Made Hunk of History
  • Intimacy
  • To Chimp or Not to Chimp
  • Their Game and My Game
  • Jenny’s Chairs
  • Experimenting with Infrared
  • The Dissolving Fence Trick
  • What Is a Portrait Lens?
  • Don’t Let Foolish Pride Stand in Your Way
  • My Dad’s Camera
  • You Can’t Always Reshoot
  • When You Care Enough to Send the Very Best
  • An Overtime Victory
  • When Your Camera Does Matter
  • Proof That Your Camera Doesn’t Matter
  • Another Happy Accident
  • Stained: Experiments of Our Youth
  • Theory into Practice
  • Snowstorms and Sunstars
  • The Value of Stepping Out of the Box
  • Glass for Hoops
  • The Priority of Art
  • Death Row
  • A Great Camera with an Undeserved Reputation
  • Your Certificate
  • Accumulation of Light
  • What Are You Really Photographing?
  • Perspective on Perspective
  • “A Sweet Piece of Glass”
  • Who Writes History?
  • What I Can’t Teach You
  • The Essence of Action
  • Summer’s Over
  • My Summer Job
  • The Bell is about to Ring
  • The Beauty of Being Overlensed
  • Strengths and Weaknesses
  • Me and My Shadow
  • Peer Pressure (The Good Kind)
  • Exploded View
  • Don’t Fear the Reaper (or the Floppy)
  • The Quick and the Dead
  • Everyone’s Favorite Droid
  • How to Hold Your Camera
  • A Fool’s Errand
  • Advance and Be Recognized
  • Brilliant Color and More: the Fuji S200EXR
  • Exciting My Aliases
  • Simple Setup, Dazzling Results
  • The Incredible, Edible RAW File
  • An Ode to Film
  • The Golden Moment
  • The Agony of Delete
  • The “Nifty Fifty”
  • Bright and Curious
  • Focus Errors and Corrections
  • The Value of f/2.8
  • Fifteen Images
  • Slow Sync Mode
  • A New Travel and Hiking Camera
  • The “Three Large”
  • A Rare and Beautiful Classic
  • Falling in Love
  • A Handful and an Eyeful
  • Carrying a Big Stick
  • Sharpness: Value, Perception and Reality
  • Etiquette for Photographers
  • The Greens of Summer
  • Big Isn’t Necessarily Better
  • A Wide Angle for the Rest of Us
  • Pearls Before Swine
  • A Photo that Shall Live in Infamy
  • The Zone
  • Why Your Web Site (or Photoblog) is Unviewable
  • The Stare

Shutter Counts

You can find this in Preview>i>Nikon

D300S with black strap = 137798

D300S with digital strap = 112324

D700 = 94686

D2H #4 = 86145

D2H #3 = 87294

D2H #1 = 98965

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