This holiday season I had opportunity to photograph my grandson and our family in several different situations, including low-light and very-low-light scenarios.
As a news, sports and magazine shooter for a living, I am accustomed to reaching into a pretty standard toolbox for making pictures: a very wide angle zoom, a big telephoto zoom, and a super telephoto. Most news photographers have similar habits, because, when we are in shooting mode, it fills all the gaps.
But over the past week, I wasn’t in shooting mode, I was in family mode, and I found myself skipping the big zooms and multiple pro camera bodies in favor of a small digital SLR and one lens, the AF-S Nikkor 35mm f/1.8G. I am loving this lens for everything I shot this week: opening Christmas gifts, playing with the grandson, watching the Christmas parade, and even an ice storm. It’s light, bright, quiet, fast and sharp.
My wife Abby doesn’t like this lens as much as I do because it doesn’t zoom like the popular kit lenses on most DLSRs today, but therein is its trump card: f/1.8. Not only is its largest aperture f/1.8, it’s an excellent performer at that aperture, making it a superior choice for all sorts of candid and low-light situations.
I return to work tomorrow, and I return to shooting mode. But the next time I am in family mode, I’ll be reaching for this excellent lens again and again.
Richard, I love this lens. It produces incredibly bright images and is so versatile. Great piece.