How to Shoot a Silhouette

The annual Parade of Lights in 2014 was a perfect opportunity to create a silhouette.
The annual Parade of Lights in 2014 was a perfect opportunity to create a silhouette.
Ashlynd Huffman wields my 300mm f/2.8 lens at my office a couple of month ago.
Ashlynd Huffman wields my 300mm f/2.8 lens at my office a couple of month ago.

Fellow journalist Ashlynd Huffman texted me recently asking how to create a silhouette. It occurred to me that it would be worth it to have my own tutorial about it.

Silhouettes are essentially lithographs, and are usually created with a bright background that is correctly exposed, with something underlit or unlit in the foreground that forms a shape without having much detail.

Most of my silhouettes are happy circumstances of natural light, but it doesn’t take a lot to construct one. Throw some light on a background, and leave your foreground figure in the shadows.

If you are shooting in manual exposure mode, move up and down the exposure scale until you get the background about right, and the foreground item, person, or figure, very dark or black.

A statue of the icon Southwestern flute player Kokopelli is show normally exposed.
A statue of the icon Southwestern flute player Kokopelli is show normally exposed.
Kokopelli is shown as a silhouette. The only thing I changed was exposure using the exposure compensation feature (the +/-). This image is four full exposure values (stops) darker.
Kokopelli is shown as a silhouette. The only thing I changed was exposure using the exposure compensation feature (the +/-). This image is four full exposure values (stops) darker.

If you are shooting in an automatic exposure mode like Program, Shutter Priority, or Aperture Priority, use exposure compensation aggressively to get the look you want. Green Box Mode usually won’t let you control your exposure.

If you are shooting film, bracket: shoot a series of frames at widely different exposure settings.

Silhouettes imply shape and anonymity.

Silhouettes should never take the place of strong narrative, but if used correctly, can contribute to a strong narrative.

Coaches are silhouetted against a beautiful late-summer sky at a football game in Stratford, Oklahoma.
Coaches are silhouetted against a beautiful late-summer sky at a football game in Stratford, Oklahoma.