My readers know I love lenses for more than just photographic reasons. I think they are beautiful, art unto themselves, and worthy of having just because it’s fun to have them.
The trouble with a philosophy like this is that it can get pretty expensive, so I make a point to wait and wait and wait for bargains, hand-me-downs, and rough-looking but optically workable lenses.
Sometimes I will buy a lens I don’t need or even want all that much if it’s a really great bargain. Lately I am seeing rock bottom prices on 1980s-era Nikon lenses, usually zoom lenses I never saw in the field.
An interesting paradox about these lenses is that my fellow photographers and I regarded these lenses (particularly zoom lenses) as sub-standard back then, but in the nearly 40 years since that era began, there are tons of not very good, plasticky lenses being sold as industry standard.
My most recent purchase was a mostly-unknown lens, the Nikkor 50-135mm f/3.5 of 1983 vintage. The web seems to think it was made from 1982 to 1984. I paid $30 for it.
I was actually shopping for a 135mm from that period. At one time or another I actually owned three 135s, two f/3.5s and one f/2.8. They were all sharp and a pleasure to use, and I missed the focal length, despite being able to make 135mm with several zoom lenses.
This lens doesn’t doesn’t give me the amazing selective focus capability of a very fast prime lens like my 85mm f/1.4, since its maximum aperture is a modest f/3.5, and isn’t really quite sharp unless I stop it down to f/4.
- It is a push-pull zoom, meaning you push the zoom/focus ring forward toward 50mm, and back toward 135mm. You turn the same ring to focus.
- There is a macro setting; at 50mm, you can focus to two feet using an orange line on the focus scale. Calling it “macro” is stretch, since all the 50mm primes I own focus to 1.47 feet. Real macro lenses like my 60mm focus much, much closer.
- It is well-built of brass and steel, common among lenses of that time, but quite rare today unless you are willing to pay for top-end lenses.
- This lens was probably meant to be Nikon’s “real” offering to compete with their more consumer-focused 75-150mm f/3.5 Series E lens.
- It is sharp, though it exhibits some of the usual pre-computer-designed aberrations like vignetting and color fringing, but those are easy to dial out while editing.
- In early shooting, I found myself mostly starting at 135mm, but liking the fact that I could zoom a bit.
While getting this review together, I found other reviews online that, of course, employed the “brick wall, sturdy tripod, live-view focus” test, which, honestly, reveals nothing. When I review a lens, I shoot with it, in the real world, and I get a useful, real-world result.
In conclusion, this $30 lens is fun to use and makes decent images, and I am very glad I bought it.