The Fabulous Fifty

One lens I keep recommending to photographers just starting out who only have the inexpensive "kit" zoom lens that came with their camera is the 50mm, either the pricier f/1.4 (left), or the smaller, more affordable f/1.8 on the right. Both are a good start down the road to lenses with better "art" credentials.

I’ve said on more than a few occasions that I love the 50mm focal length. There are quite a few reasons to love your 50mm, but at the top of the list is that in human scale terms, it fits just right into the efficiency quotient of manufacturing, shipping, cost, weight, and, of course, making…

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Circling Back to My Favorites

I absolutely love the build quality and feel of Nikon's Nikkor lens lineup from the 1970s and 1980s, and love the images they can deliver.

Before I make my main point, I’d like to take a second and say that photographers have really been embarrassing themselves at the Olympics this week, including one who obliviously wandered onto the track where an active race was taking place, forcing runners to go around him. I am appalled , but not surprised –…

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The Claw

The Nikkor 35mm f/2.0 lens sits mounted on my Nikon D3. It's a great combination.

I’ve been taking pictures for a living for a long time. The apex of technology when I started in this field were cameras like the Nikon F2, the Canon F-1, the Hasselblad 500 series, and the Leica M and R series. It was a very interesting time in the evolution of photography. The film technology…

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My Travel Photography Kit

My readers might recall that I spent spring break in Arizona, hiking and exploring. One result of this was that I missed covering one of the biggest news events of the year in Ada, a huge hailstorm. Nevertheless, I had an amazing time. I visited Chiricahua National Monument, both halves of Saguaro National Park, Organ…

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I Love a Parade!

It’s one of my worst kept secrets: I love a parade. It’s also no secret that my favorite parade of all time is the Pat Taylor Memorial Parade of Lights every December here in Ada. My strategy for photographing nighttime parades is pretty straightforward: sky-high ISO settings and large aperture lenses. I usually use my…

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Filters, Filters, Filters!

A photographer friend and I were talking recently about how and why we use filters on the lenses of our cameras. The discussion centered around clear “lens protector” filters, but in that same group of filters are “UV haze” filters, and “skylight” filters. They all do essentially the same thing to your images: nothing. Many…

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Bokeh Wars

I hope my readers forgive me if I seem a little cynical about this topic: bokeh. This week’s big photographic news is Nikon’s introduction of a new lens called “Plena,” a 135mm f/1.8 lens that promises, according to early releases, “beautiful, well-rounded bokeh,” among other things. It is a reminder that this one word, “bokeh,”…

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A Shot in the Dark

A friend of mine asked me this week about how to shoot candlelight vigils. She’d been to one, and while she got some usable images, she was not able to catch any magic with her camera. Photographing low light situations has always been a challenge, but it has gotten easier in the last few years…

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Mirror Mirror

This article was originally posted in 2015, but this update reflects the fact that I recently purchased another Reflex-Nikkor 500mm f/8 lens. In the late 1980s through the mid 1990s, I had a Reflex-Nikkor 500mm f/8 lens. The optical formula is known as a catadioptric, or mirror, lens. Astronomers know about this type of optic,…

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