Autumn Walk for Inspiration

Virginia creeper vines turn red in the fall, and have tiny green berries on them.
Virginia creeper vines turn red in the fall, and have tiny green berries on them.

A hard cold front roared through Oklahoma last night, leaving today the kind of day that inspired me to write awkward poetry in my youth. It was grey all day, and it eventually lured me outside several times to walk the dogs and, of course, make pictures.

I grabbed my Fuji mirrorless and my $50 Mamiya Sekor SX 200mm f/3.5. Unlike the cameras and lenses I use professionally, this combination is challenging: the camera is smaller, and the lens is manual focus, super slow to focus, focuses in the opposite direction of my Nikkors, and will only run at one aperture, in this case wide open at f/3.5.

After the session, I walked our Irish wolfhound Hawken again, and he found a discarded work glove in the pasture and made it his new toy. He loves this weather.

Hawken keeps an eye on me as I walk around photographing autumn.
Hawken keeps an eye on me as I walk around photographing autumn.
Tiny blue berries cling to the fence near my garden.
Tiny blue berries cling to the fence near my garden.
Thistle sways in the cold wing.
Thistle sways in the cold wing.
A roll of fence catches a leaf or two in the breeze.
A roll of fence catches a leaf or two in the breeze.
Guinea fowl keep watch in the neighbor's chicken pen.
Guinea fowl keep watch in the neighbor’s chicken pen.
A rooster struts his stuff.
A rooster struts his stuff.
I am gradually learning the strengths and weaknesses of this pearl of a lens from the 1970s.
I am gradually learning the strengths and weaknesses of this pearl of a lens from the 1970s.

The Yard Session

Years after the Nikon D100 digital camera has been retired from my workflow, it's easy to talk about its shortcomings. Despite those, the D100 actually was able to create beautiful images.
Years after the Nikon D100 digital camera has been retired from my workflow, it’s easy to talk about its shortcomings. Despite those, the D100 actually was able to create beautiful images.

My wife Abby and I have made many great photographs of each other over the years, both at our home in the bucolic splendor of Southern Oklahoma, and on our dozens of road trips over the years.

I bought the Nikon Coolpix 885 in the summer of 2002 as a small alternative to the Nikons I was using professionally at the time. By the time Abby and I had been dating a few months, she had made it her own.
I bought the Nikon Coolpix 885 in the summer of 2002 as a small alternative to the Nikons I was using professionally at the time. By the time Abby and I had been dating a few months, she had made it her own.

One session that stands out among them, and always makes me smile to view and remember, is “The Yard Session.” We shot these images on February 26, 2004 (thanks, EXIF data!) It was a warm late afternoon in our friend Michael‘s front yard in Norman, Oklahoma. The light was beautiful, and I’d asked Michael to photograph us with his Fujifilm Finepix S2 Pro. His images are great, but the ones that stand out and bring us the fondest reminiscences are the ones we made of each other.

Abby photographed me with our Nikon Coolpix 885, and I photographed her with my Nikon D100 with the manual-focus 85mm f/2.0 lens. Because the D100 lacked an aperture indexing ring, it couldn’t talk to manual-focus lenses, so exposure was based entirely using histogram on the monitor on the back of the camera.

Images like this happen organically, often without  planning or effort, and the result is a very natural, telling, intimate photography session.

Looking back on that moment more than 16 years ago, we were young and in love, engaged to be married, and so very happy. I hope these images show that.