Skip to content

Moving Pictures

The Photography Teaching Site of Richard R. Barron
Menu
  • Home
  • About the Photographer
  • Imaging Services
  • Take My Class

Christmas parade floats glide past spectators, in this long-exposure image, about 15 seconds, used to illustrate motion over time

Christmas parade floats glide past spectators, in this long-exposure image, about 15 seconds, used to illustrate motion over time

Share on Facebook
Facebook
Tweet about this on Twitter
Twitter
Pin on Pinterest
Pinterest
Email this to someone
email
Share on LinkedIn
Linkedin
Print this page
Print
Share on Reddit
Reddit

Post navigation

Older post
The Quick and the Dead

Finding Your Way

  • richardbarron.net
  • The Giant Muh
  • Our Adventures

When Did I Post It?

Narrow the Field

  • © abbybarron.net (3)
  • © richardbarron.net (406)
  • Cameras (107)
  • Composition (28)
  • Editing (36)
  • Exposure (21)
  • Ideas (138)
  • Lenses (115)
  • Lighting (31)
  • Monochrome Challenge (14)
  • Photographic Film (37)
  • Presentation (59)
  • Vision (54)

More to Learn

  • Another Lens for the Collection
  • A Little More Light Can Make a Big Difference
  • Fooling Around with Christmas Lights
  • Conflict: The Essence of Sports Photography
  • Monochrome Challenge: Snow
  • Cameras Outpacing Photographers
  • iPhone vs Camera
  • Steal My Balls and Play with Them
  • The Nikon D500
  • Film: Some Snapshots
  • Film: My Time at The Daily Times
  • Film: My Time at the University of Oklahoma
  • Film: My Time at The Shawnee News-Star
  • Film: Ada Cougar Football State Championship 1988
  • Monochrome Challenge: After the First Freeze
  • How to Shoot a Silhouette
  • More Thoughts About the 85mm f/2.0 Nikkor
  • Another 85mm???
  • Autumn Walk for Inspiration
  • Photography in the Margins
  • More from the Mamiya Sekor
  • The Way They Made Them
  • Pinch, Poke and The Mighty Hound
  • Photographic Doings
  • Large Format is the Wild West of Photography
  • A Fisheye Surprise
  • Most Popular Camera Ever?
  • Experiments Keep Us Moving Forward
  • Reflecting on Mirrorless
  • Rainy Sunday
  • Olympus Has Fallen
  • That Little Dance Called Creativity
  • Irises at f/2.0
  • The Yard Session
  • The Walk
  • My Screen Saver Is Making Me Yearn
  • Editing and Tweaking
  • Workflow Changes
  • Kathy’s Influence
  • First Day of Spring 2020
  • In Praise of the “Kit Lens”
  • Same Scene, Different Day
  • Keep Your Eyes Open
  • “Dreamlike Quality”
  • First Stack
  • Sweet Suite
  • Another 85mm
  • My Antelope Canyon Experience
  • Sweet Little Lenses
  • Late Fall Monochrome
  • Security
  • Always Be Ready to Make the Picture
  • Evening Walk
  • Are Macro Lenses Good Portrait Lenses?
  • So Many Levels, So Many Layers
  • Late Summer Monochrome
  • Taking Lenses to Their Limits: The 200mm f/2.0
  • Why Not Video?
  • The Sometime Lost Narrative of Large Apertures
  • Monochrome June
  • Making a Living as a Photographer
  • The Word “Bokeh” Has Been Completely Usurped
  • Imaging Today and in the Film Era
  • You Know What to Do
  • The Tangled Web
  • Zippity Zap
  • A Nod to My Old School
  • The Lens That Never Fails
  • Monochrome in Mid March
  • The Sweet Morning Fog
  • A Look Back: the FujiFilm FinePix S4500
  • A Look Back: the Nikon D700
  • Little Andeigh and Big Gage
  • Need a Snack?
  • Performance
  • Beauty
  • Evening in the Small Town
  • Skyward
  • More Monochrome
  • Super Blood Wolf Moon
  • Lyme Gym Syndrome
  • The Monochrome Challenge
  • The Basics
  • And the Moon Shall Become as Blood
  • A Look Back: The Nikon D200
  • Geotagging, Selfies, Crowds, and the Menace to Nature
  • Some Confusion about the Season
  • Autumn Settles In
  • Autumn in a Post Card
  • 30 Years at The Ada News: Evolution and Revolution
  • Out of Hand
  • Commute
  • October Rain
  • A Look Back: The Nikon D70S
  • Secrets
  • Native Patriots
  • A Look Back: The Nikon D100
  • A Look Back: The Fujifilm Finepix S2 Pro
  • What’s Missing from Your 4K Camera
  • My Ten Dollar Camera Collection
  • Funniest Repair Ever
  • Breaking Things Loose and Keeping Things Fresh
  • A Camera Like a Sports Car
  • Nail in the Film Coffin
  • A Look Back: The Sony Cybershot DCS-F828
  • Judge, Jury and Executioner
  • The Love of Teaching
  • An Odd Move for Kodak
  • A Look Back: a “Tank” of a Camera, the Nikkormat EL
  • A Look Back: the Rare Pentax Auto 110
  • A Look Back: The Olympus XA
  • The Rule of Thirds
  • Mirrorless: The Next Big Thing?
  • Teaching Old Glass New Tricks
  • A Look Way Back: The Fujica ST605N Camera
  • A Look Back: The Fujifilm S200EXR Digital Camera
  • A Look Back: Kodak DCS
  • A Sunstar Extra
  • Funny Lenses and Expensive Lenses
  • A Lens from a Bygone Era
  • The Sweet Little 35mm
  • Your Next Lens
  • As Resolution Increases, Quality Falters
  • The Great American Eclipse: Until Next Time…
  • More Thoughts About the Eclipse
  • My Favorite Place: Done
  • JPEG Dazzle vs RAW to the Rescue
  • Phonetography Phun
  • More Stars, More Stripes, More Fun
  • The 2017 Solar Eclipse
  • Other Photographers and Our Egos
  • Learning the Trade: College
  • Amping and Upping the Game
  • Striking Photos of Lightning
  • Now We’re Ready to Shoot
  • From Paper to Papers
  • A Light Serving of Light
  • What Is an “Art” Lens?
  • Old Tricks Still Work
  • Always on Duty
  • Fact and Myth: “Full Frame” vs “Cropped”
  • How to Rock the Sunset
  • Pretentious Jonesing for Film
  • Why Isn’t My Fifty Nifty?
  • A Long and Difficult Recovery
  • Flare and Ghosting
  • We’ve Only Just Begun
  • First Look: AF-S Nikkor 50mm f/1.4G
  • Everyone Is a Photographer
  • The Gift of Aperture
  • Why Format?
  • Who Do I Want to Be?
  • Props to These Guys
  • What’s Changed, If Anything?
  • More Praise for the “Travel Lens”
  • In Praise of the 300mm
  • A Great Wedding Combination
  • Why Canyonlands?
  • Do Try This at Home!
  • Sensory Perception
  • Decisions, Decisions
  • Sitting on Your Pictures
  • Point and Watch
  • Pictures at an Exhibition
  • “Preserve Aspect Ratio”
  • Summer Breeze
  • Cities of the Interior
  • What to Carry When Your Phone Isn’t Enough…
  • A Tale of Two Twenty-Eights
  • Coloring with Lights
  • Yes, It’s Bokeh
  • Friend or Foe: The Unsharp Mask
  • Decapitation
  • The Light Can Make All the Difference
  • Tested and Failed: the Sigma DC 17-50mm f/2.8 EX HSM
  • Getting Organized
  • Software: The New Darkroom
  • Mistakes and Protocols
  • In Conclusion
  • Up Close and Personal
  • Yes, but What Then?
  • Down the Infraroad
  • Eighty Five Test Drive
  • What About Angles?
  • Portrait of a Portrait Lens
  • Bokeh vs Bokeh
  • That Night in 1985
  • The Work We Do
  • The Raw and the Cooked
  • Game Night in the Small Town
  • Can I Get a Copy of That?
  • Why Beautiful Moments Are Beautiful
  • New Tools of the New Trade
  • Picking a Camera for Kodak Moments
  • The Nikon D300S at 7500 Exposures
  • Hearts and Bones
  • Droning On
  • Back to School Faces
  • What We Thought it Would Be Like
  • Standing on Higher Ground
  • Mirror Mirror
  • Intimate Moments
  • An Award for Just Showing Up
  • First Look: the Nikon D300s
  • Test Driving Instagram
  • The Plus-X Conundrum
  • Pomp and Circumstance
  • A Dark Cloud on the Horizon
  • Unbending the Lines
  • The Walls
  • Being There: Triumph and Heartbreak
  • Doing an Exploratory
  • Single-Frame High Dynamic Range
  • Traveling Light
  • The Right Idea
  • Dancing with the iPhone
  • Back to Basics
  • A Mild but Interesting Epiphany about My Shooting
  • The 85mm is Dead; Long Live the 85mm
  • The Backup Camera
  • Lessons and Ideas from Long Ago
  • What the Camera Sees vs What We Want It to See
  • The Need to Be Obvious
  • Not the Place for Greatness
  • The Stories We Tell
  • Exposure Compensation: What and How
  • Traveling Cameras and How I Use Them
  • The New Selfie on the Block
  • Something Beautiful
  • 50 vs 50
  • Going to the Dark Side, or Eyes on Tomorrow?
  • Shooting Football: a Two-Pronged Attack
  • A Gorgeous Night for Teaching
  • Water of Love, Love of Water
  • Scan While You Can
  • The Real Mission is Storytelling
  • How Photographers Can Miss the Point
  • The Geometry of Photography
  • DPI, PPI, IPI
  • At This Point, It’s All Used
  • A Complete 180
  • A Lens for the Fun of It
  • Coming Soon to an America Near You
  • Color Spaces and Color Pallets
  • Cleaning Your Gear
  • Smart Phone Photography: The Good, the Bad, and the Ugly
  • Face Off: Nikkor 18-55mm vs Nikkor 18-70mm
  • Stepping Up with Stepping Rings
  • Commanding the Light: Polarizers
  • The Long and the Short of It: Superzooms
  • To Focus or Not to Focus
  • The Persistence of Memory
  • “When their Bones are Picked Clean and the Clean Bones Gone…”
  • “Should I Upgrade?”
  • The Messy Days of Photography
  • Observations on Film, Filtration and Our Roots
  • In through the Out Door
  • Desperately Seeking Sunstars
  • Worst Lighting Ever
  • A Medium Format Itch
  • All Mixed Up?
  • Burn, Baby, Burn!
  • Night Sky with D7100: First Try
  • Boots and Bones
  • A NEW New Camera
  • What’s All This About Aperture?
  • My New Holiday Best Friend
  • Sunstars, Selective Focus, and Other Holidays Tips
  • Is My Bokeh Brokeh?
  • The Hunger
  • Lighter and Brighter for Indoor Sports
  • Playing Around with Our Past
  • Exposure Mode Control: Dial vs Button
  • Go Out on a Limb, or a Bridge
  • The Real Future of Photography
  • Let’s Get Even Closer
  • When Bad Lenses Go Good
  • Reasons to Love Teaching
  • The Ultimate Camera
  • The Sharpest Lens in My Bag
  • Reach Out and Take It: Teleconverters
  • Simple Advice in a Complex Environment
  • Why Is Decay So Interesting?
  • The PASM
  • The D-Tundred
  • The “Worst DSLR – Ever”?
  • Chasing the Light
  • Trial by Trail: the Fujifilm HS30EXR
  • Coming Around Again: The 20mm
  • Force Op, or The Herd Mentality
  • The Twilight of a Great Technology
  • Retired Supermodel
  • Head Over Heels about Hoods
  • The “Hand of God” Technique
  • The “Undisputed King” of the Wide Angle
  • The New Normal
  • Little Skills
  • My Most Extreme HDR Image Yet
  • Lighter Load: Gear for Hiking
  • Dream Kit for Shooting News and Sports
  • Trend: Sixties Faded Color Print Look
  • The Megapixel War Is Over (and has been for a while)
  • Simplest Lesson Yet
  • A Good Example of Bad Bokeh
  • The ISO Stratosphere
  • Manual Focus: Follow or Pre-Focus?
  • Don’t Be Discouraged
  • Favorite Images: Portraits
  • Studio-like Light for Next to Nothing
  • Better Photographers with Digital Cameras?
  • Tech Pan and the Great Grainlessness Quest
  • Community Journalism
  • Favorite Images: Travel
  • Elvis, Take My Class
  • Adobe Photoshop’s Photomerge Function
  • Like Day and Night
  • Bright and Dark, Colors and Greys
  • HD Garbage
  • Protecting Your Images in the Digital Age
  • Bright Lights, Big Photos
  • More Bokeh Talk
  • Just What We Needed: Another Wheel
  • The Way We Shoot Weddings
  • Why Fine Art Photography?
  • Mastering the Art of Mastery
  • All Good Things…
  • Formal vs Pose vs Cheese vs Candid
  • Update: The Barber Peak Experiment
  • “I’m Learning”
  • Opportunity Knocked
  • Command of Light
  • Into the Fire
  • A Well-Made Hunk of History
  • Intimacy
  • To Chimp or Not to Chimp
  • Their Game and My Game
  • Jenny’s Chairs
  • Experimenting with Infrared
  • The Dissolving Fence Trick
  • What Is a Portrait Lens?
  • Don’t Let Foolish Pride Stand in Your Way
  • My Dad’s Camera
  • You Can’t Always Reshoot
  • When You Care Enough to Send the Very Best
  • An Overtime Victory
  • When Your Camera Does Matter
  • Proof That Your Camera Doesn’t Matter
  • Another Happy Accident
  • Stained: Experiments of Our Youth
  • Theory into Practice
  • Snowstorms and Sunstars
  • The Value of Stepping Out of the Box
  • Glass for Hoops
  • The Priority of Art
  • Death Row
  • A Great Camera with an Undeserved Reputation
  • Your Certificate
  • Accumulation of Light
  • What Are You Really Photographing?
  • Perspective on Perspective
  • “A Sweet Piece of Glass”
  • Who Writes History?
  • What I Can’t Teach You
  • The Essence of Action
  • Summer’s Over
  • My Summer Job
  • The Bell is about to Ring
  • The Beauty of Being Overlensed
  • Strengths and Weaknesses
  • Me and My Shadow
  • Peer Pressure (The Good Kind)
  • Exploded View
  • Don’t Fear the Reaper (or the Floppy)
  • The Quick and the Dead
  • Everyone’s Favorite Droid
  • How to Hold Your Camera
  • A Fool’s Errand
  • Advance and Be Recognized
  • Brilliant Color and More: the Fuji S200EXR
  • Exciting My Aliases
  • Simple Setup, Dazzling Results
  • The Incredible, Edible RAW File
  • An Ode to Film
  • The Golden Moment
  • The Agony of Delete
  • The “Nifty Fifty”
  • Bright and Curious
  • Focus Errors and Corrections
  • The Value of f/2.8
  • Fifteen Images
  • Slow Sync Mode
  • A New Travel and Hiking Camera
  • The “Three Large”
  • A Rare and Beautiful Classic
  • Falling in Love
  • A Handful and an Eyeful
  • Carrying a Big Stick
  • When Photographers Congregate
  • Sharpness: Value, Perception and Reality
  • Etiquette for Photographers
  • The Greens of Summer
  • Big Isn’t Necessarily Better
  • A Wide Angle for the Rest of Us
  • Pearls Before Swine
  • A Photo that Shall Live in Infamy
  • The Zone
  • Why Your Web Site (or Photoblog) is Unviewable
  • The Stare

Shutter Counts

You can find this in Preview>i>Nikon

D300S with black strap = 137798

D300S with digital strap = 112324

D700 = 94686

D2H #4 = 86145

D2H #3 = 87294

D2H #1 = 98965

Thank you for visiting The Photography Teaching Site of Richard R. Barron
Powered by WordPress | Theme by Themehaus